adobe audition recording vocals before and after

If you do three passes, taking no more than 6dB off at a time, you'll end up with a significantly better result than you'll get from using a single pass. Yes you have to do a new noise print for each pass, for two reasons: firstly the remaining noise will have a different footprint, and secondly, changing the FFT size means that the existing print won't fit the processing anyway. And by 'as much' I mean doing more than one pass at it, using different FFT sizes, and taking off rather less at each pass. Generally the way to reduce these issues is to do as much NR as you can first, before doing anything else. You can start at a medium level around 40 ms. Now, its time to adjust the release setting. Try on both slow and fast attack settings to see how they blend in with your mix.

At the bottom of the Editor panel, click the Record button to start and stop recording. A fast attack aims to compress the vocal as quickly as possible for a more precise, consistent feel. Doing NR after compression is counter-productive it makes the Spectral Decay rate rather more obvious, because the compression has raised the effective noise floor relative to the maximum signal level. Open an existing file to overwrite or add new audio, and place the currenttime indicator where you want to start recording. If you can get the mixer set up so that you can get an instrument into one of the stereo channels and a vocal into the other (youll have to use the pan pots) you should be able to feed it as stereo into Audition, and by careful channel selection, record each half of the stereo across two tracks, (one channel each).

Adobe audition recording vocals before and after